The first half begins with Yankiel's Lid and Street Of Crocodiles from Polin (links to other albums below), spotlighting young saxophonist Emma Rawicz. To fill the essential trumpet role, we then get Avishai Cohen for the rest of the evening, starting with a beautiful rendition of the Wisława title track. More guests are introduced by way of a duet interlude - guitarist Rob Luft, a recent addition to the ECM stable, backs singer Alice Zawadzki on a folk song arrangement of hers. Luft is then the featured player as we return to Stańko's music for Terminal 7, to lead in to the interval - and I've left this 20-minute section of the broadcast intact for a change, as the announcer features clips of an interview with Stańko recorded in 2008.
Tomasz Stańko's early association with Krzysztof Komeda, mentioned in the interval, is also reflected in the concert resuming with the Lullabye from Rosemary's Baby, sung by Zawadzki backed by the orchestra. Stańko's own music for film and theatre is also touched on, with A Farewell To Maria and Roberto Zucco - good to hear from a corner of the Stańko ouevre that remains lesser-known (not least because those obscure soundtracks could do with being reissued). Other than Celine, an arrangement of material from Suspended Night, the rest of the set returns to the Wisława album - Faces, April Story and then a brief rip through Assassins to close a superb concert. Avishai Cohen sounds fantastic throughout, given the not inconsiderable task of stepping into Stańko's shoes; the Marcin Wasilewski Trio a perfect link to the composer in life (and Wasilewski is always such an incredible pianist), and well-chosen guests and sympathetic arrangements all make this a fitting tribute. If you love Stańko's music even half as much as I do, don't miss this one.
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Oh yes, this one is not to be missed. Many thanks Alan!
ReplyDeleteFabulous. Thank-you so much.
ReplyDeleteThis is great. Many thanks.
ReplyDelete