Showing posts with label Alexander Scriabin. Show all posts
Showing posts with label Alexander Scriabin. Show all posts

Monday, 27 February 2023

Bournemouth Symphony Orchestra Plays Scriabin, Glière & Korsun (at the Lighthouse, Poole, 17th Jan 2023)

Incredible concert recording from January, given a recent broadcast.  Chief conductor Kirill Karabits, as part of a 'Voices From The East' series, put together this programme of Ukrainian and Russian music and started it off with the stunning sonic power of Anna Korsun's Terricone, receiving its world premiere.  Karabits and Korsun, who both have roots in the Donbas region, introduce the work as having its title inspired by large mining heaps there, and it sounds phenomenal - very much appealed to the Xenakis fan in me.

The BSO's artist in residence is featured next, letting the rest of the concert's first half showcase the talent of horn player Felix Klieser (whose adapted-by-necessity technique is quite amazing).  Reinhold Glière's Horn Concerto, composed in 1951 and with strong influence from the Romantic era, contrasts well with the rest of the programme.  As an encore, Klieser offers a Rossini fanfare.  The concert's second half is given over to Alexander Scriabin's 2nd Symphony in all its grandeur and subtlety, with the gorgeous Andante being a highlight for me.  The announcer signing off with a typically bonkers quote from Scriabin is just the cherry on top.

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Scriabin at SGTG: Universe

Monday, 17 August 2020

Alexander Nemtin (after Alexander Scriabin) - Universe (1973)

Alexander Nikolayevich Scriabin (1872-1915) had big plans for his magnum opus Mysterium.  The week-long work was to be held in a kind of ampitheatre venue, preferably in the foothills of the Himalyas, and the proto-multimedia spectacle would overwhelm the audience with sound, coloured lights, smoke, incense and dance.  Scriabin, heavily into theosophy, wanted this extravaganza to bring about an apocalyptic raising up of humanity to a new consciousness.  Then he died, having only completed some sketches for the "Prefatory Action", in itself to be a three-part, hours-long overture.

Alexander Nemtin (1936-1999) became fascinated by Scriabin's insane concept and unfinished drafts, and over three decades realised his version of Prefatory Action from educated guesswork at Scriabin's intentions.  The first part, running to 40 minutes and given the title Universe, was completed in the early 70s and recorded in 1973.  It's a wonderfully bonkers labour of love that drifts and shimmers in space; sometimes not quite sure whether it wants to be a Messiaen-like psychedelic symphony, or a piano concerto where the score's come through a wonky fax machine.  Eventually it builds to an epic choral finale - a false ending, in fact, as it does so again for the closing minutes.

Nemtin would eventually complete all three parts, apparently with diminishing returns as he'd already used almost all of Scriabin's material in the first.  Universe is definitely worth hearing though, as a small insight into what could've been truly magnificent had Scriabin lived, transformative apocalypse or not.  On this CD reissue, it's accompanied by two shorter orchestral works that he did complete in his lifetime: a nice full-bodied Symphonic Poem finished in 1897 but only published posthumously, and a sweet-sounding Fantasy for Piano and Orchestra from 1889.  No recording dates for these, but the 1980s or early 90s can be assumed as the recording quality is noticeably sharper than for Universe.
Original LP cover, 1973
link
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