Staying in the ECM organ zone for today, and adding a cello. That cello is the first sound you hear on this recording from October 1980, tentatively staking out its naturally-reverbed territory (in Pauluskirche, Bern) before the organ gradually fills the rest of the space. From then on, these two Swiss composer-musicians create a perfectly-balanced dialogue, sometimes quiet and reflective, but able to work up to a full-on maelstrom when necessary. A great combination of two unusually-paired instruments, that needless to say for ECM, sounds absolutely stunning.
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