Simply one of the most important and essential post-punk albums ever made - in fact, if we could've gone straight from the mid 70s to this without having to have The Pistols and The Clash in between, I might have actually believed that punk was a proper 'year zero'. Metal Box, aka Second Edition (when reissued in regular packaging), changed my whole perception of how songs could be constructed and how the guitar could be played. It was a massive influence on my musical development, to the point where I must've ripped off every single note Keith Levene played on this album in every band I was in during high school and university.
Always loved Jah Wobble's bass playing in PiL as well, and this is very much an album to crank up the low frequencies for. Holding much of the responsibility for Metal Box's krautrock and dub influences, the former John Wardle famously started playing without access to an amp, so would press the body of the bass guitar against a bedstead to get some rudimentary amplification and play as hard as he could - and it shows. And John Lydon... never better on this album, letting his Peter Hammill influences show and feeling freed by the non-linear, atonal song structures to just wail at full tilt, railing against society and exorcising the pain of his mother's death. One of the most unique 'rock' albums ever made. Play loud.
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