Showing posts with label Maurice Ravel. Show all posts
Showing posts with label Maurice Ravel. Show all posts

Monday, 12 September 2022

BBC Proms 2022 - NYOGB plays Elfman, Gershwin & Ravel (6 Aug 2022)

A stunning Proms concert full of colour, texture, rhythm and everything else from Britain's premier teenage ensemble, the National Youth Orchestra Of Great Britain.  First up was a new work written specially for them by film & TV heavyweight Danny Elfman.  The 23 minutes of Wunderkammer are by turns boisterous and fun, then eerie and dramatic, picking up the pace again to finish off the piece in dramatic style.

After some stage re-arranging (over 100 players in that opening), the programme stays in the US but winds back a century.  Well, not quite a century, as this is Ferde Grofé's orchestration from the 40s, but any kind of Rhapsody In Blue is good with me, and this one has Simone Dinnerstein as guest pianist.  The first half closes with a little bit more Gershwin, an arrangement of My Man's Gone Now, then the second half is given over to Ravel's complete ballet Daphnis & Chloé.  All of it sounds magnificent, beautifully rendered by the hugely talented young players.

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Monday, 8 August 2022

BBC Proms 2022 - Hebrides Ensemble Play Xenakis, Messiaen & Ravel (Proms in Belfast, 18 July 2022)

This year's first post from the Proms actually comes from the Waterfront Hall Studio in Belfast, and is an hour-long chamber concert marking Iannis Xenakis' centenary.  To offer up something special for the occasion, the programme starts with an unpublished early piece by Xenakis: a piano fragment from 1949.  Lasting under a minute, it's nice to hear something so rare by Xenakis.  Straight afterwards, the Hebrides Ensemble dive in to the composer's late period with Akea (1986) for piano and string quartet, with the dramatic sonorities making his signature unmistakeble.  Ittidra, one of Xenakis' final works from a decade later, features ghostly, queasy strings, and the Ravel homage À R. (1987) for piano highlights his formative influences, as do the Ravel and Messiaen pieces that fill out a well-chosen programme.

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Wednesday, 29 December 2021

Momo Kodama - La Vallée Des Cloches (Ravel, Takemitsu & Messiaen) (2013)

Sticking with ECM and classical today for some incredible 20th century piano music, played by Osaka-born pianist Momo Kodama.  Maurice Ravel's Miroirs suite is rendered in all its tricksy, impressionistic wonder with crystal clarity, with Kodama's rendering of Une barque sur l'ocean (one of my favourite piano pieces of all time, which made me buy this album) capturing the delicacy of every lapping wave.  The other substanital work on the album is Olivier Messiaen's birdsong catalogue La Fauvette Des Jardins, evoking a garden-warbler and several other birds on a midsummer's night, and as a bridge between the two French masters Kodoma plays Rain Tree Sketch by Toru Takemitsu, chosen for its interesting similarities to the other composers.

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Ravel at SGTG:
Takemitsu at SGTG:
Messiaen at SGTG:

Friday, 10 January 2020

Colin Currie with Sam Walton and Robin Michael - Striking A Balance: Contemporary Percussion Music (1998)

An hour of great marimba & vibraphone-based music, released in 1998 to herald the fresh new talent of percussionist Colin Currie, born right here in Edinburgh in 1976.  The well chosen and sequenced programme takes in big name composers from Bach to Reich, with some lesser known ones in between.

The album starts with its knottiest piece, written by Tosh Ichiyanagi in 1982 as variations on a Caprice by Paganini.  Here, as with about half the album, Currie is accompanied by pianist Robin Michael, who also features on the following quartet of miniatures from Chick Corea's Children's Songs.  Currie is also paired on a few tracks with another marimba player, Sam Walton, resulting in a beautiful Alborada Del Gracioso from Ravel's Miroirs, a little bit of Bach from English Suite No. 2, and Reich's Nagoya Marimbas.  Lovely chilled weekend listening.
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