Presented first are two works by German composer Paul Hindemith (1895-1963), who like Genzmer was fascinated by the new instrument and wrote for it, in close collaboration with Sala, in the early 1930s. We start with a seven-part feature for three trautoniums, which in contemporary concert was performed by Hindemith (the top part), Sala (the middle part) and Rudolph Schmidt, a piano teacher (the bass part). Here, Sala performs all three in overdub, left, centre and right in the stereo picture respectively. They're nice short and melodic exercises, and must've sounded revolutionary in 1930. Pleased with the results, a year later Hindemith wrote the brief concerto that follows, integrating the diverse tonal colours of the trautonium very well with the orchestra.
The real treasure on this collection is saved for last though, and reissues in its entirety the 40-minute LP shown at the very bottom of this post. Elektronsische Impressionen from 1978 is composed and performed by Sala, using the more advanced Mixtur-Trautonium that he'd developed by the 1950s. The nine tracks here utilize the full range of the instrument and the recording studio, and frequently find Sala nudging closer to Conrad Schnitzler at his most minimal/experimental than anything in the classical world. Although this whole CD is worth listening to, Elektronsische Impressionen gets special praise from me - it's nothing short of an avant-garde electronic classic in its dark atmospherics and juddering melody lines and effects. Highly recommended.
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pw: sgtg
Original LP covers
