BBC Scottish Symphony Orchestra Plays Xenakis, Debussy, Ligeti & Bartók (15 December 2022)

Concert broadcast from Glasgow last month, with the announcer opening on a Xenakis quote: "savageness is part of everyday life".  With such a weighty introduction, you'd be expecting some fireworks, and the musicians of the BBC SSO certainly deliver in the opening blast of Xenakis' computer-composed Atrées.  But there's subtlety too, in the sumptuous rendering of Debussy's Jeux that fills out the concert's first half.

Ilan Volkov, a conductor I always like for his relish for the avant-garde, talks us through the tuning used for Ligeti's Ramifications before taking the two groups of strings into the piece's still-remarkable miasma of sound.  The grand finale is another landmark in 20th century music, Bartók's Music For Strings, Percussion & Celesta, sounding riveting all the way from the grand sweep at its outset through the eerie third movement and beyond.

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pw: sgtg

Iannis Xenakis at SGTG:

Akea, Ittidra, À. R,, piano fragment  

Palimpsest, Épéi, Dikhtas, Akanthos

Pour La Paix/Voyage Absolu   

Nuits  

Rebonds B  

Akrata  

Atrées, Morsima-Amorsima etc  

Evryali/Herma   

Phlegra, Jalons etc
Oresteïa
Synaphaï
Persephassa
Ata, Jonchaies etc
Pléiades/Psappha
Bohor etc
Kraanerg
Terretektorh/Nomos Gamma
La Légende D'Eer
Persepolis

 

György Ligeti at SGTG:

Clear Or Cloudy: Complete Recordings On Deutsche Grammophon

Requiem, Aventures, Nouvelles Aventures 

Artikulation

John Adams - Harmonielehre (BBC SSO & RSNO, 9th February 2022)

A live concert broadcast from back in February, and a joining of forces to mark the Association of British Concert Orchestras' 2022 conference in Glasgow.  The hundred-plus combined might of the BBC Scottish Symphony Orchestra and Royal Scottish National Orchestra renders John Adams' mid-80s work in fine detail, but first up is a UK premiere.  Samy Moussa's Elysium is inspired by views of the afterlife in classical Greece, and shimmers into view before building in grandeur.

The solo spotlight for the programme falls on 19-year old Spanish violinist María Dueñas, who lives up to her "rising superstar" billing in a great rendering of Shostakovich's 1st Violin Concerto.  After the interval, the double-orchestra gives its full energy to John Adams' wondrous Harmoniehlehre.  Taking fresh inspiration from imagery in his dreams, Romantic music and harmonic exploration, Adam's three-section work from 1985 barrels along in unforgettable style.

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pw: sgtg

 

Samy Moussa at SGTG:

A Globe Itself Infolding 

 

Dmitri Shostakovich at SGTG:

Symphony No. 15 (live 2017, scroll past main post)

Symphony No. 15 (live 2022) 

John Adams at SGTG:
Shaker Loops (orchestral version)
Shaker Loops (original version) / Light Over Water
Grand Pianola Music 
The Chairman Dances, etc
The Chairman Dances (live 2020)
Road Movies, Hallelujah Junction etc
Harmonium etc (scroll past main post)

Naive And Sentinmental Music (live 2019)

BBC Scottish Symphony Orchestra/Ilan Volkov - Zappa, Anderson, Ives (2018)

A concert recording from the Glasgow City Halls a year and a half ago, which I picked up when it was given a recent re-broadcast.  The focus on Zappa for the promotional material (like the image above) might seem a bit off-target when you realise his music only takes up the first 13 minutes of the concert, but regardless, it's great to hear The Perfect Stranger performed live.  Originally conducted by Pierre Boulez for the album of the same name in 1984, the evocation of a sleazy vacuum cleaner salesman is in good hands with Ilan Volkov and the BBC SSO.

So what music would be ideal to pair with Zappa, to make up the main meat of a concert?  Varèse might be the obvious thought, but here we get Charles Ives' New England Holidays, which is also a great choice.  Written over a few years as four individual pieces, the movements are intended to evoke memories of childhood holidays, and do so in grand style.  Programmed in between Zappa and Ives is British composer Julian Anderson's piano concerto The Imaginary Museum, which the SSO/Volkov originally premiered in 2017.  Written as a virtual world tour, it sounds fantastic and makes me want to hear more by Anderson.  More Ives coming next week.

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pw: sgtg

Per Nørgård - Symphony No. 3 (BBC Proms 2018)

Had a great introduction to another fascinating composer over the past week whilst keeping my usual eye on the BBC Proms programme, so here's the performance in question.  The 86-year old Danish composer Per Nørgård was in the audience for this, the UK premiere a week ago of his 3rd Symphony completed in 1975.

This symphony is generally held to be the point where Nørgård fully integrated his composing style, of serial music generated by fractal-like integers in an "infinity series".  After listening to this being discussed in the radio preamble I was expecting something like Xenakis, but Nørgård isn't quite that explosive, at least not in this work.  Instead, it reminded me occasionally of Ligeti, sometimes of the French spectralists, but those were just really fleeting coincidences rather than similarities (there is definitely some microtonality in the strings though, from what I've read).

Overall, I really enjoyed listening to something unique-sounding in its construction and in the way the instrumental groups interact, and definitely want to hear more Nørgård.  The atmospheric moments of the first movement were right up my street, and the longer second movement, once it gets going, is all over the place (in the best possible way) with its epic choral stylings.  Definitely recommended.

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