Sticking with ECM for the moment, but heading back into the 70s for another legendary bassist, here's the debut album as leader by the always prolific Arild Andersen, in an all-Norse quartet. Starting off with the bright swing of 305 W 8th Street (singer Shiela Jordan's NYC address where Andersen once stayed), the intricate, melodic bassline that takes flight makes it unmistakeable whose album this is right from the off.
From there on, there's gentle, reflective material like Last Song (placed second, natch) and the gorgeous Song For A Sad Day (Knut Riisnæs taking a leaf from Garbarek's book, perhaps even more so in the title track). The mellowness is interspersed with more uptempo tracks like Outhouse, which brings to mind The Windup from Belonging in its tightly-wound theme, the pensive Cycles, and the closing blast of The Sword Beneath His Wings, which was featured in Anderson's firey Molde set of 1981 (link below). Jon Balke is a perfect, sympathetic pianist throughout, and Andersen's compositional and playing talents make this a lovely record to return to over and over.
pw: sgtg
Previously posted at SGTG:
Shimri
Shimri
Green Shading Into Blue
Molde Concert
and featuring Arild Andersen:
Afric Pepperbird
Triptykon
Popofoni
In Line
Bluish
Molde Concert
and featuring Arild Andersen:
Afric Pepperbird
Triptykon
Popofoni
In Line
Bluish
