James MacMillan - Seven Last Words From The Cross / Veni, Veni, Emmanuel (2019)

Concert recording from February 2019, in which Scottish composer Sir James MacMillan celebrated his 60th birthday conducting two of his major works with the Scottish Chamber Orchestra, and percussionist Colin Currie, who's made a couple of appearances on these pages before.  As a prelude to his own music, MacMillan chose Arvo Pärt's Cantus In Memoriam Benjamin Britten, with its solemn bell tolls caught up in the swirl of the gorgeous orchestral parts.

Veni, Veni, Emmanuel (1992) is based on a plainchant piece that bears that name, and it's a percussion concerto originally written for another Scottish player, Evelyn Glennie.  Currie here describes his extensive percussion rig and the various voices used throughout the piece, then turns in a storming performance.  The propulsive energy of the work reminded me in places of Steve Martland.  The second half of the concert is given over to MacMillan's epic cantata Seven Last Words From The Cross, commissioned by the BBC in 1994.  In its sections, the work covers the gospel texts tackled by numerous other composers over the centuries - Sofia Gubaidulina is one who's appeared here - and is a stirring, engrossing journey.

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Colin Currie plays Xenakis, Nørgård, Stockhausen and more (recorded live, Friday 17 July 2020)

Solo percussion from Scottish performer Colin Currie, previously featured on this blog in one of his earliest recordings.  This recital, performed in an empty hall in Glasgow with the stage strewn with instruments (and kitchen utensils), was broadcast live as one of Radio 3's Lunchtime Concerts, and takes in seven composers in a breathtaking hour.

There's the sonically powerful material that you might expect from a solo percussion showcase, not least in the closing Rebonds B by Iannis Xenakis and in Kevin Volans' Asanga, but also pieces of wonderful subtlety, and even elements of both in the brilliant opener I Ching: Fire Over Water by Per Nørgård.  From the mellower end of the spectrum are the Dessner, Aho and Hosokawa works for marimba, and the Stockhausen piece for vibraphone.  All of it ear-bending stuff from a master of his arsenal of instruments.

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bonus concert - Sofia Gubaidulina's Glorious Percussion

Gubaidulina's spectacular work, which includes elements of improvisation, was performed by the Colin Currie Group and BBC Scottish Symphony Orchestra in August of last year at the Edinburgh Usher Hall.  It was paired in this concert with music from Greig's Peer Gynt, performed by the orchestra.

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Colin Currie with Sam Walton and Robin Michael - Striking A Balance: Contemporary Percussion Music (1998)

An hour of great marimba & vibraphone-based music, released in 1998 to herald the fresh new talent of percussionist Colin Currie, born right here in Edinburgh in 1976.  The well chosen and sequenced programme takes in big name composers from Bach to Reich, with some lesser known ones in between.

The album starts with its knottiest piece, written by Tosh Ichiyanagi in 1982 as variations on a Caprice by Paganini.  Here, as with about half the album, Currie is accompanied by pianist Robin Michael, who also features on the following quartet of miniatures from Chick Corea's Children's Songs.  Currie is also paired on a few tracks with another marimba player, Sam Walton, resulting in a beautiful Alborada Del Gracioso from Ravel's Miroirs, a little bit of Bach from English Suite No. 2, and Reich's Nagoya Marimbas.  Lovely chilled weekend listening.

Alternate cover

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