Showing posts with label Alphonse Mouzon. Show all posts
Showing posts with label Alphonse Mouzon. Show all posts

Monday, 24 August 2020

Weather Report - s/t (1971)

A low-key start for one of jazz fusion's most high profile groove machines, especially considering the Bitches Brew alumni involved.  Joe Zawinul and Wayne Shorter's decade and a half as WR mainstays began here with fellow founder Miroslav Vitouš, drummer Alphonse Mouzon and percussion from Airto Moreira, Don Alias & Barbara Burton.

Weather Report's still striking debut is a journey into the possibilities of group improvisation and sound manipulation, right from the ambient shimmer of Milky Way, which Robert Christgau memorably likened to "a carrilon approaching a time warp".  Next, Vitouš' distorted bass underpins the first rhythmic drive of the album, with Zawinul's effects-laden electric piano prefiguring his all-consuming adoption of synths.  Other highlights include Zawinul's Orange Lady, also recorded with Miles, and the spacious grooves of the last three tracks that would point the way forward for Weather Report.

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pw: sgtg

Friday, 16 February 2018

Arild Andersen - Molde Concert (expanded edition 2000, orig 1982)

ECM magnificence from the Molde Jazz Festival in August 1981, partly released as a single LP in 1982, then restored to almost (one track from the LP had to be dropped to squeeze in under 80 mins) full glory on CD in 2000.  The great Norwegian bassist was joined for this fine selection of his tunes (plus the Miles Davis/Tony Williams-penned encore) by Bill Frisell on guitar, John Taylor on piano, and sometime Weather Reporter Alphonse Mouzon on drums.

We've mostly heard Taylor and Frisell in mellow modes on this blog up til now (check the label tags for previous posts), and there is a good showing of downtempo loveliness in the Molde setlist - Targeta, Lifelines and Koral for sure - but for the most part, this album absolutely rocks.  Finding the confidence that he recalled wasn't quite there yet on Fluid Rustle, Bill Frisell hits cooking temperature right from the set opener and just gets increasingly jaw dropping from there.

It might just be the fact that he's a jazz guitarist with a full on rock snarl here, but Frisell made me think of Steve Howe at least once - check Cameron near the end, where Andersen also gets a great solo spot.  The 13 minutes of The Sword Beneath His Wings are also a highlight for Frisell and for everyone - Andersen might be the bandleader, but this is very much a firing-on-all-cylinders group effort.  Even the drum solos are awesome, as on Six For Alphonse.  Highly recommended.
original LP cover
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