Showing posts with label Ensemble Intercontemporain. Show all posts
Showing posts with label Ensemble Intercontemporain. Show all posts

Monday, 25 October 2021

Boulez Conducts Zappa - The Perfect Stranger (1984)

 
Three fine examples of Zappa's writing for orchestra - in this case chamber orchestra, as Pierre Boulez in preparatory correspondence advised that he had Ensemble InterContemporain most closely to hand.  The Perfect Stranger (the album) is filled out by 14 minutes of Synclavier music (the "Barking Pumpkin Digital Gratification Consort" is simply Zappa at his new favourite instrument).  
 
In the longest ensemble piece and title track, the liner notes explain that "A door-to-door salesman, accompanied by his faithful gypsy-mutant industrial vacuum cleaner cavorts licentiously with a slovenly housewife."  A recent live version, conducted by Ivan Volkov, is in the links list below.  The other two Boulez/InterContemporain renditions are Naval Aviation In Art?, first attempted at the 1975 Royce Hall concerts, and an arrangement of the live-improv vehicle Dupree's Paradise (see YCDTOSA 2 for a nice meandering band example).

On the Synclavier, Zappa gives us the twinkling atonality of The Girl In The Magnesium Dress; the Joe's Garage track re-arrangement Outside Now Again; the minute-long note-bending exercise Love Story, and the suitably ominous Jonestown.  He'd later remaster the album in a new mix, different running order and with noticeably different Synclavier instrumentation on Magnesium Dress - this first-pressing CD matches the original vinyl.

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Frank Zappa at SGTG:

Monday, 27 September 2021

Pierre Boulez / Ensemble InterContemporain etc - Sur Incises, Messagesquisse, Anthèmes 2 (2000)

Typically engrossing Boulez, both in composition and in production.  The main event on this album is the two part, 37 minute Sur Incises, based on Boulez's earlier solo piano piece Incises.  With the addition of two extra pianos, three harps and percussion instruments, the various sonorities and textures of the solo piano are blown out into an incredible macrocosm of sound.  Messagesquisse, a shorter work for cellos, provides an interlude and a bridge to the other substantial 'revision' on the album, Anthèmes 2.  On this one, a solo violin plays against recorded and electronically-manipulated violin parts to great atmospheric effect.  I always find Boulez fun to listen to, and the whole of this album just sounds wonderful.

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Wednesday, 24 April 2019

Iannis Xenakis - Phlegra, Jalons, Kern, Nomos Alpha, Thalleïn (rec. 1990/1, rel. 1992)

A great Xenakis disc from the early 90s, focusing on recent commissions taken on by the composer at a time when his music wasn't quite as earth-shattering as it had been earlier on, but could still bend 20th century classical music into extraordinary shapes.  The first piece here is one of the older two on the collection, Phlegra for chamber orchestra (1976), with plenty of ominous drones and great abraisive writing that was Xenakis' envisioning of "a battleground between the Titans and the new gods of Mount Olympus".  Following that is the slippery, trippy drift and skronk of Jalons for orchestra (1986), dedicated to Pierre Boulez, who conducts here.

Two solo pieces are up next.  Keren (1986), Hebrew for 'horn', was written for trombonist Benny Sluchin, who performs it here, taking the instrument from mellifluous solemnity to almost jazzy sounds, low drones and everywhere in between in under seven minutes.  The oldest piece on the collection, Nomos Alpha (1965) was originally written for the great cellist Siegfied Palm, and is briskly performed (about three minutes shorter than the original, IIRC) by Pierre Strauch.  For the geometrists out there, it's based on the "24-element octahedral group isomorphic to the rotations of a cube"; for anyone who just likes hearing a cello sound like it's being played by a virtuoso octopus, it's a blast.  We end with another chamber piece, Thallein (1984), for fourteen instruments including piano and percussion, written in complex polyphonic layers that still sound like music from the future.

link
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Previously posted at SGTG:
Oresteïa
Synaphaï
Persephassa
Ata, Jonchaies etc
Pléiades/Psappha
Bohor etc
Kraanerg
Terretektorh/Nomos Gamma
La Légende D'Eer
Persepolis