Second album by Stańko's "Polish Quartet" of the 2000s, or, as the three younger musicians became known outside of Stańko's employ, the Marcin Wasilewski Trio. It was an inspired combination that produced three great albums of spacious exploration, both rooted in classic post-bop jazz and completely up to date, a forward-looking example of the modern ECM aesthetic.
The album's predecessor had no track titles at all - this one at least starts out with a named piece, the lovely opener Song For Sarah, before embarking on the Suspended Variations, just numbered I - X. The first of these lays out the template in fine mid-tempo form, highlighting each musician in turn, then journeys through sublime group telepathy in uptempo (like II, V, and VIII) and wispy, becalmed modes (III, IV, VII) and more to complete one of Stańko's most rightly celebrated late-period albums.
pw: sgtg
Nice back up for my cd copy which is here... somewhere!
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