Ideal time to do a post of this classic double-album - there's a new reissue doing the rounds, and label Secretly Canadian seem to have done a great job. Sounds good, has a couple of bonus tracks I hadn't heard before so have kept them in the download (the eerie electronics of The Path are definitely worth hearing) and the CDs come in a hard-card vinyl gatefold replica. Worth buying, for sure, along with the others that have been reissued.
If this is your first encounter with (arguably) Yoko Ono's greatest album, though, you're in for a real treat. One album's worth of raw, propulsive avant-rock which at its greatest (the 17 minutes of Mind Train) sounds like a feminine version of Can's Halleluwah, then a side's worth of clattering, echoing collaborations with another Fluxus artist Joe Jones and his 'percussion machines', then rounding off with the 22-minute title track. The latter might be the most spartan and difficult to love - it's mostly solo voice, until some reversed slide guitar towards the end makes things a bit more interesting, but it's still an utterly unique voice that I could listen to all day.
Disc 1
Disc 2
