The Norwegian Soloists' Choir / Oslo Sinfonietta - As Dreams (2016)

On the album cover above, you can just about make out the full quote from The Tempest that this choral collection takes its name from.  The introduction to the liner notes sets out how these seven pieces are meant to be linked: "they are permeated not only with their own era, but with times that we can imagine lie in front of us."  The five composers chosen are all known for their transformative, spellbinding sound, and make for a bewitching hour of choral music, sometimes accompanied, sometimes acapella.

The two works by Per Nørgård that make up a third of the runtime are my definite favourites here.  His Drømmesange (Dream Songs), with the choir accompanied by steady percussion, is an accessible start to the programme, with its gently lilting, folky melodies; Singe die Gärten, mein Herz is taken from his 3rd Symphony.  From there, there's a good mix of shimmering, atmospheric material (Alfred Janson's Nocturne; Kaija Saariaho's Überzeugung) and more avant-garde ventures into fractured phonemes (Helmut Lachenmann's Consolation II, Iannis Xenakis' Nuits and the closing Nuits, Adieux by Saariaho).  A highly recommended immersion in 20th-21st century choral music.

link

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Various Artists (incl. Jan Garbarek Quartet) - Popofoni (1973)

Anyone watching the Åpen Post show on Norwegian TV on 6th March 1969 (which I doubt will include any readers here, but you never know -YouTube link, sorry no subtitles) would've caught a fascinating, bizarre debate about pop music/popular culture vs. classical music/high art.  The programme caught the attention of Arne Nordheim, previously featured on these pages here, and of the Ny Musikk organisation and the Henie-Onstad arts centre.

The plan was hatched (in an uncanny precedent for Ode To Marilyn) to get hold of some prime Nordic musicians - step forward Jan Garbarek, Bobo Stenson, Arild Andersen, Jon Christensen and Terje Rypdal - and have them collaborate with some of Norway's foremost modern composers to produce music that would represent a meeting point between popular music and the avant-garde.  Arne Nordheim, Alfred Janson, Gunnar Sønstevold, Kåre Kolberg and the soon-to-be ECM-ers, plus additional musicians, duly obliged, and a concert of the results was held in April 1970.  Three years later, this limited-edition double album emerged as a document of the project, which had been titled Popofoni.

The six tracks here are certainly fascinating, essential listening, especially if you're familiar with early ECM classics like Afric Pepperbird / Sart / Rypdal's debut.  Imagine these records with a whole extra layer of avant-garde composition/production over the top, and that's pretty much what Popofoni sounds like.

The 20-minute opener Arnold, composed by Gunnar Sønstevold, is a free jazz groove with echo-laden vocals wafting over the top, and occasional organ and tape effects.  Nordheim's two tracks that follow are even better works in the same vein, with the eerie collage of Solar Plexus (his first response to the TV debate) ending in a scratchy, sampled dance orchestra, a hail of gunfire then an emptying sink (or toilet?).  The second disc is dominated by Alfred Janson's 25-minute Valse Triste, where the jazz musicians veer between free playing and lounge pastiche, feeling their way towards the eventual schlager payoff, whilst spoken samples of the TV debate pepper the sonic landscape.  Kåre Kolberg's Blow Up Your Dreams is a more succinct attempt at stretching a conventional song (sung by Karin Krog) to fit an avant-garde frame, and as a closer we get a brief Rypdal composition in which he plays flute rather than guitar.  An utterly essential collection.

Original double-LP cover

Disc 1
Disc 2
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