Staying in a minimal mood here, but with skeletal reverbed guitar as the main feature instead of just pure electronics. I picked up Fixed::Context on its release, possibly just from a review I'd read - I think I'd become fascinated by the Kranky label and wanted to take the plunge into this so-called 'post rock' universe.
What I got was an expansive, hushed landscape that could've been the soundtrack to Paris, Texas in outer space - twangy, soundtrack guitars pushed right up front, but made alien by a backdrop of ambient electronics. Whether enveloping the guitars in a warm bath of Eno-esque sound on my favourite track David, or ending in a mood-shattering whine at the end of Twenty, this was a game-changing introduction to a sound world of electronic music and completely deconstructed rock music, and it became my most favourite new album for the next few years. After investigating the other Labradford albums, I couldn't wait for the next one - and I'm still waiting 15 years later (apparently they've never officially split up!).
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