On the album cover above, you can just about make out the full quote from The Tempest that this choral collection takes its name from. The introduction to the liner notes sets out how these seven pieces are meant to be linked: "they are permeated not only with their own era, but with times that we can imagine lie in front of us." The five composers chosen are all known for their transformative, spellbinding sound, and make for a bewitching hour of choral music, sometimes accompanied, sometimes acapella.
The two works by Per Nørgård that make up a third of the runtime are my definite favourites here. His Drømmesange (Dream Songs), with the choir accompanied by steady percussion, is an accessible start to the programme, with its gently lilting, folky melodies; Singe die Gärten, mein Herz is taken from his 3rd Symphony. From there, there's a good mix of shimmering, atmospheric material (Alfred Janson's Nocturne; Kaija Saariaho's Überzeugung) and more avant-garde ventures into fractured phonemes (Helmut Lachenmann's Consolation II, Iannis Xenakis' Nuits and the closing Nuits, Adieux by Saariaho). A highly recommended immersion in 20th-21st century choral music.
pw: sgtg
thank u this sounds great-- i like the edgey stuf
ReplyDeleteroberth
ps as well as the minimal, the drone, chamber, serial, free jazz, modal music.
pps i like lists
Much appreciated, as is all your effort and care
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