So taking them in this order, first up is Two Pages (written 1967/8, rec. 1975), one of the earliest expressions of Glass' MO of expanding and contracting little units of composition, inspired by Indian music and in particular meetings with Ravi Shankar. With subtle assistance from Michael Riesman on piano, Two Pages isn't actually solo music in the strictest sense, but the following Contrary Motion (written '74, rec.'75) definitely is, and has more harmonic complexity in its theoretically endless 'open form' experiment in Bach-like counterpoint.
On to the two ensemble pieces then, which actually featured in solo organ form on this blog a while back, as interpreted by Steffen Schleiermacher. Music In Fifths (written '69, rec. '73) as presented here doesn't in fact feature the full Philip Glass Ensemble, just two saxophones alongside the composer's organ, but they fill out its tight structure quite nicely. The full ensemble then arrive for the finale of Music In Similar Motion (written '69, rec. 71), which has the most eventful structure of all the four pieces here, as the different instrumental voices gradually introduce themselves and shape the changes in the piece.
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| Music In Similar Motion/Music In Fifths, original LP cover 1973 |
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| Contrary Motion/Two Pages, original LP cover 1975 |
pw: sgtg



Thanks for this! Glass is one of those composers I've never really gotten, but I've only really listened to Einstein on the Beach, so maybe stuff like this will speak to me a little more.
ReplyDeleteThanks. Glass has done many things, and I haven't heard them all, but Glassworks was one I could slip fairly easily into.
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