Monday, 26 July 2021

Lula Côrtes / Zé Ramalho - Paêbirú (1975)

Of all the 1970s Brazilian albums I've heard so far, this double concept album collaboration between Lula Côrtes & Zé Ramalho is one of the most experimental and psychedelic.  Containing numerous moments that could almost be Amon Düül, Agitation Free, Between or a less refined Popol Vuh, it's like Brazilian krautrock.  Needless to say, Paêbirú has become a cult classic, both as a great acid-folk brain-melter, and as a once-ultra-rare obscurity: before various reissues brought it back into availability, most of the small original pressing was lost in a warehouse accident.  Fittingly for the 'four elements' concept, this was either by fire or flood, depending on which story is correct.

So as above, to structure their double-LP about Brazilian mythology, Côrtes & Ramalho titled the four album sides elementally: Earth, Air, Fire & Water, or in Portuguese: Terra, Ar, Fogo, Água.  Vocals are minimal and often basic chants, so the language barrier is a non-issue in getting immersed in the incredible sound.  The Terra side starts as it means to go on, with acoustic guitars, flute and tribal percussion.  After a minute of this comes the first of many moments of wow, that bassline is incredible - seriously, crank the bass up for this whole album as high as you can.  After a short track of incredible percussion and acid-drenched fuzz guitar, the Terra side ends on a calm flute, piano and acoustic guitar piece.

Ar begins in much the same territory, against a backdrop of melodic acoustic guitar scales, before this album side delves into darker, more ritualistic jams with a sax adding a jazzier element.  The brief Fogo side has appropriately firey guitars and sitar, skull-splitting garage-psych Farfisa and scorching grooves.  For the final stretch, Água commences by invoking the sea-goddess Iemanja (see also here), then takes in more guitar duelling and great percussion, two lovely short tracks evocative of Jorma Kaukonen/Hot Tuna, and one more great acoustic/percussion jam.  Hugely recommended masterpiece.
Original 2-LP gatefold with Ramalho (L) and Côrtes (R)
pw: sgtg

4 comments:

  1. I like the sound of this! Thanks Alan.

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  2. I had forgotten this awesomeness. Absolutely superb. Merci!

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  3. Hey man, you are always spot on aboout Brazilian music. This record is gorgeous. Maybe you'd like to know that, over the years, Zé Ramalho became very popular making more acessible music which sometimes even play on these terrible Brazilian soap opera and on TV shows... But somehow he also managed to maintain a certain mythical aura, maybe like a Brazilian Bob Dylan, one can dare say.

    Do you know Mônica Salmaso? She is a contemporary singer, more of a interpreter of the classic Brazilian songbook ("cancioneiro", as we say here) -- samba, bossa-nova, and other popular genres. But she is an exceptional singer, her voice and artistry are synonymous with the best things in this country, and she is always in very good company of great instrumentalists. Her records are beautiful. If you've never listened to them, we can try to sort it out. Cheers!

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    1. Thanks for the tip, I'll give her a listen!

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