Friday, 17 July 2020

Shuggie Otis - Inspiration Information (1974)

Between the release of his second album Freedom Flight and this, his third, Shuggie Otis transitioned from precociously talented and well-connected teenager to a young adult and true auteur.  Working from a home studio, he wrote and produced this album alone, played all the instruments bar the horn and string arrangements, and virtually abandoned his blues roots for something (even) funkier and altogether weirder.

It was a sound that didn't have much impact at the time, and ended up with Otis being dropped by Epic, but Inspiration Information's time would come a quarter of a century later when David Byrne's Luaka Bop label first revived it.  At that time, Shuggie was posited as a proto-Prince, which does hold up in the loose, funky songs and singular artistry and musicianship.  It's also historically congruent with the advances in the studio that Stevie Wonder and Sly Stone had been making in the early 70s, not least in the use of a primitive Rhythm King drum machine.

The first side of the album is a flawless run of four great songs, bursting into life on the smoking funk groove of the title track, followed by the languid Island Letter.  Next are the taut, spare groove of Sparkle City and the drum-machine based comedown experience Aht Uh Mi Hed.  Other than the first 58 seconds, the album's second half is entirely instumental, in common with its predecessor.  Unlike Freedom Flight, there aren't two lengthy jams here but a clutch of short impressionistic sketches, which reach their experimental apex in XL-20 and Pling.  Shuggie might have been too ahead of his time in 1974 for this record to be huge, but now it just sounds timeless.

link
pw: sgtg

Previously posted at SGTG:
Here Comes Shuggie Otis
Freedom Flight

3 comments:

  1. Are you doing the Kooper album?

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    1. Don't have it I'm afraid, but will definitely look out for it.

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  2. Cool. I hear the proto Prince most strongly in the title track and "Happy House". I never read Prince name-check Otis, but with Prince's debut arriving just three years after this I can certainly hear it being a possible influence. Like the Purple One's general oeuvre, there are enough influences happening in each tune as to defy sole categorization as funk, soul, pop or pop rock. And the instrumentals further blend that stew.

    Much gratitude for the post. I recall the generally perplexed reviews of this at the time. History's been good to it to my ears.

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