Boulez, Extended Voices, Columbia-Princeton, and more recently Crumb and Partch). The Toronto Symphony are superbly recorded in this brief but wonder-filled recording from 1969.
The most then-recent work is up first, a piano concerto of sorts called Asterism (1968) with a stunning crescendo that gradually builds towards the end. This is followed by the earliest piece, Requiem (1957), a slightly more conventional but gorgeous bit of string writing that was famously played to Stravinsky by mistake whilst visiting Japan, the favourable reception launching Takemistu's international profile. Completing the album are Green (1967), a short orchestral piece inspired by Takemitsu's admiration for Debussy's music, and The Dorian Horizon (1966) for 17 strings in two groups contrasting harmony and dissonance, with eerie pizzicato and glissandi.