favourite and close-second favourite of his albums, let's round up with my third Hackett-of-choice. The very loosely Cold War-themed (it only really works for the first two tracks, although some fan reviews try to stretch the concept to the full album) Defector received a mixed critical reception, but IMO is still essential Hackett.
For starters, two of his most unmissable instrumental mini-epics are here: the lovely swirling jazziness of Jacuzzi, and the suitably stark and windswept atmospherics of album opener The Steppes. Aside from the bonkers robot-rampage of Slogans, the remaining instrumental material is of a mellower, soft-focus nature, making Defector stand out in Hackett's Charisma era as the late-night atmospheric one.
This extends to the vocal tracks too, which more than once recall the guitarist's final Genesis era. Leaving and The Toast respectively invoke Wind & Wuthering and Trick Of The Tail; the latter song could almost be a mini-Entangled, with the wooziness of anaesthesia being replaced by a more everyday, self-imbibed wooziness. Comparisons are also often noted to Camel of a similar vintage, who I haven't really listened to enough to comment. Don't miss the cute little closing gag of Hackett using an Optigan keyboard and period-piece vocal to evoke 1940s novelty jazz - I really don't get all the hate that Sentimental Institution receives from some fans, it always makes me crack a grin.