The connection, Rothenberg explains in her lengthy liner note to this collection of 2012-13 recordings of the pieces in the programme, was that the three composers 'form a triumvirate of original creators who were each closely tied to the visual art of their time'. And besides that, on this ECM New Series CD the programme just sounds great as a flowing, 70-minute immersion in some unique, inspired music.
The remainder of the programme alternates between Rothenberg on solo piano playing inspired choices from Satie's Gnossiennes and Ogives, and the Houston Chamber Choir performing works by John Cage. I hadn't heard any choral work by Cage prior to this disc, and the pieces here, Four², ear for EAR and Five, sit really well with the main Feldman work. The programme closes with one of Cage's finest piano pieces, In A Landscape.